WebTitle: Hercules and the Hydra and Hercules and Anteo. Creator: Antonio del Pollaiolo. Date Created: Around 1475. Style: Renaissance/ mythological scene. Provenance: Gondi family collections. Physical Dimensions: w120 x h175 mm. Original Title: Ercole e l'Idra e Ercole e Anteo. Type: painting. Medium: Tempera on panel. WebThe brothers Antonio (1431 ca - 1498) and Piero (1441/2 - post 1485) Benci - known as Pollaiolo, because of the profession of their father, poultry (pollo, in Italian) salesman - …
Antonio del Pollaiuolo - Wikipedia
WebThe upper lunette displays the three theological virtues: Faith, Hope and Charity. In the passage leading to the next chapel, on the inner side, is the oldest and smallest monument in the Basilica, the sepulcher of Innocent VIII created by Antonio Benci, known Pollaiolo, with the help of his brother Piero. Completed in 1498, it was originally ... WebPollaiuolo definition, Italian sculptor, painter, and goldsmith. See more. design of reinforced concrete 9th edition pdf
Portrait of a Woman (Pollaiuolo) - Wikipedia
Web1890 no. 499. The allegory of Charity is a young woman breastfeeding a child, to indicate mercy towards others. The flame between her fingers is the emblem of God’s love. She … He was born in Florence. His brother, Piero del Pollaiuolo, was also an artist, and the two frequently worked together. Their work shows both classical influences and an interest in human anatomy; reportedly, the brothers carried out dissections to improve their knowledge of the subject. They took their nickname … See more Antonio del Pollaiuolo , also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiuolo (also spelled Pollaiolo), was an Italian painter, sculptor, engraver, and goldsmith during the Italian Renaissance. See more • Leonardo da Vinci, Master Draftsman, exhibition catalog fully online as PDF from the Metropolitan Museum of Art, which contains material … See more WebPortrait of a Woman is a c.1475 tempera and oil on panel painting by Antonio or Piero del Pollaiuolo.It has been in the Uffizi in Florence since 1861. Since 1861 it has been misattributed to Piero della Francesca, a young Leonardo da Vinci and Cosimo Rosselli.. It forms part of a group of profile portraits of women which also includes one in Milan, one … chuck e cheese ice age collision course